ARCHAEOTEXTS : MARK ANDREWS Exhibition Opening & Reception

Poster2

opening banner

Nonesuch artist in residence Mark Andrews works exclusively on paper, combining natural minerals with pigments, powdered graphite, oils and beeswax which are pressed, incised, burnished and polished. His work is concerned with creating a gestural lexicon and archiving it through repetitive mark-making to sediment native Canadian oral culture landscape place-names and elder-stories.

In 2017 Mark was awarded the Nonesuch Art of Paper Griffintown Award for his painting Raven Brings Universal Light.

RAVEN BRINGS UNIVERSAL LIGHTMark Andrews

RAVEN BRINGS UNIVERSAL LIGHT
Mark Andrews

expo blockMark studied printmaking and drawing at the Ontario College of Art and Design (OCAD), and painting and drawing at York University under Tim Whiten, Bruce Parsons and Claude Breeze. He won the “New Faces: Artists’ Choice” competition in Toronto for his large scale black (graphite) drawings. Selected group and solo exhibitions include the A-Space, York University, Glendon College, and Harbourfront Galleries in Toronto, and Belgo Arts, the Gallery at Victoria Hall and Nonesuch Art of Paper Awards group shows in Montreal and Parrsboro.

Hudzì Cho Ye Ts'intsí

FEAL Schedule

21 December 2018 – 2 January 2019

NOTE: The FEAL Exhibition of visual art will open to the public on 21 December and, in addition to the hours below, will be open by chance and by appointment.

Check back here for schedule updates. To receive notifications by email, please sign up for our mailing list using the form on the right hand side of this webpage.

If you have not sent a submission or proposal but would like to participate in FEAL 2018, it is not too late.  Just contact us by email at [email protected].

Friday 21 December
  • 3pm – 9pm ~ FEAL Opening & Visual Arts Exhibition Vernissage
Saturday, 22 December
Sunday, 23 December
  • 11am  ~ Artist Talk: George Smith
  • 12pm – 5pm  FEAL Exhibition
  • 2pm ~ What is erotic?” An open discussion.
  • 4pm ~ Hot haiku & 23 recipes for kumquatsReadings from Firefly in the Room, erotic haiku by Ottawa poet Grant D. Savage plus recipes and other erotic verse by jsbauer et al., followed by open mic.
Monday, 24 December   
  • 12pm – 5pm  FEAL Exhibition 
  • 1pm  Shorts: readings of erotic stories and confessions, followed by open mic. includes a reading of Nancy Hiron’s story ‘The Clitoral Coach’ and 2 short stories, ‘In the Confessional’ and ‘The Slow-Mo Seduction’ by William Kuhns.
  • 2pm ~ Noerotic” An open discussion about the absence or loss of erotic feelings and relationships.
Tuesday, 25 December 
  • FEAL Exhibition Open by Chance or by Appointment 
Wednesday, 26 December
  • 1- 4pm ~ Posed & Propped: Erotic Life Drawing
  • 5pm – 8pm FEAL Exhibition 
Thursday, 27 December
  • 5pm – 9pm FEAL Exhibition 
  • 7 – 8pm ~ Extra Illicit Sonnets      Canada’s former Parliamentary Poet Laureate George Elliott Clarke has generously sent FEAL a selection of verse from his books Illicit Sonnets and  Extra Illicit Sonnets. Enjoy readings of Clarke’s sonnets by various voices.
  • 8-9pm ~ More Erotic Poetry ~includes works by Giovanna Riccio https://www.giovannariccio.comRae Marie Taylor thelandwildhope.com, jsbauer et al., followed by open mic.
Friday, 28 December
  • 5pm – 9pm FEAL Exhibition 
  • 6-8pm ~ Tantalizing Tales for Listeners and Tellers – Come listen to some erotic stories and passages from literature. Includes ‘Corsica’ by Mark Andrews. Readers welcome – if you have original writing or favourite literary passages or short stories to share. Contact us for details.
  • 9pm until late ~ Hot Moves – Dress like you mean it and come shake your booty to a selection of tunes chosen to get your blood moving.
Saturday, 29 December
  • 10am – 1pm ~ Posed & Propped: Erotic Life Drawing 
  • 2pm – 5pm FEAL Exhibition 
  • 4pm  ~ Artist Talk: harvey lev
Sunday, 30 December
  • 12pm – 5pm FEAL Exhibition 
  • 1:30pm  ~ Artist Talk: Bob Morouney www.hiddenhousepotteryandpress.com 
  • 2pm ~ Naked or nude and why is it scary?” An open discussion.
Monday, 31 December

Only ticketholders for Titillating Tastes will be permitted entry after 7pm

Tuesday, 1 January
  • 12pm – 5pm FEAL Exhibition 
  • 2pm ~ The sensual versus the aesthestic” An open discussion of modern aesthetics and whether a work can be both artistic and erotic.
Wednesday, 2 January
  • 10am- 1pm ~ Posed & Propped: Erotic Life Drawing
  • 2pm – 5pm FEAL Exhibition 

Sandrine de Borman’s ARS HERBARIUM ~ Exhibition, Opening Reception, Artist Talk, and a Workshop

Le français suit

Belgian artist Sandrine de Borman is currently in Parrsboro for a Nonesuch Residency. While here, in addition to pursuing her practice of printmaking and Tataki-zomé, Sandrine will exhibit her work and offer an artist talk as well as a Tataki-zomé workshop.

 

    • Ars Herbarium: Nurseries of Humanity ~ exhibition opening : 20 October, 6-9pm
    • Sandrine de Borman artist talk : 20 October, 7pm
    • Tataki-zomé Workshop : 27 Ocober, 9:30am – 4:30pm

deBorman_expo_2018_fSandrine believes a good way to maintain biodiversity is to create artwork showing the incredible array of plants in our local habitat. Walking in a wild natural place is part of a “geopoetic” approach which is in connection with “La Traversée, atelier Quebecois de géopoétique”.

Sometimes we do not see what is all around us.

The French botanist Francis Hallé talks about “plantblindness”, people gazing at their green surroundings and beautiful landscapes, but without really seeing the plants themselves, each plant with its structure, its uses, its dynamic, its season, the interactions, and how they work together.

Sandrine is looking and seeing as she travels about Canada creating Herbarium Maps. Her project focuses on themes of walking, plant collecting, and the technique of tataki-zomé.

Tataki – zomé consists of hammering fresh plants onto cotton so that the sap of the plant prints the fabric with the exact shape of the plant.

Sandrine uses local and Latin names to describe what she collects and creates textile diaries and maps of her botanical travels on the printed fabrics.

To learn more about Sandrine de Borman and what she is doing and where, please visit her website https://www.arsherbarium.com

For information about the workshop, see here https://hmsnonesuch.com/tataki-zome-with-avec-sandrine-de-borman/ 

image_logo_site_wbi

 

Sandrine de Borman’s residency in Parrsboro has been made possible with the assistance of Wbi, wallonie-bruxelles-international.

affiche_deBorman_workshop_10:2018_FR     poster_deBorman_workshop_10:2018_EN

L’artiste belge Sandrine de Borman est actuellement à Parrsboro pour une résidence Nonesuch. Pendant son séjour ici, en plus de poursuivre sa pratique de gravure et de tataki-zomé, Sandrine expose son travail, offre une présentation d’artiste ainsi qu’un atelier de tataki-zomé.

  • Ars Herbarium: Pépinières d’humanité ~ vernissage de l’exposition: 20 octobre, 18h-21h
  • Discussion avec artiste Sandrine de Borman: 20 octobre à 19h
  • Atelier Tataki-zomé: le 27 octobre de 9h30 à 16h30

Je vous partagerai ma démarche artistique de déambulation, glanage et créations sous forme d’un herbier d’empreintes végétales. Ma démarche questionne les liens ambivalents que nous entretenons avec notre environnement, et particulièrement la cécité envers les végétaux dont parle le botaniste Francis Hallé. 

Sandrine pense qu’un bon moyen de préserver la biodiversité est de créer des œuvres d’art montrant l’incroyable diversité de plantes de notre habitat local. Se promener dans un lieu naturel et sauvage s’inscrit dans une démarche «géopoétique» en lien avec “La Traversée, atelier Quebecois de géopoétique”.

Parfois, nous ne voyons pas ce qui nous entoure.

Le botaniste français Francis Hallé parle de “cécité vis-à-vis des plantes”, de gens qui contemplent leurs environnements verdoyants et leurs paysages magnifiques, mais sans vraiment voir les plantes elles-mêmes, chacune avec sa structure, ses utilisations, sa dynamique, sa saison, ses interactions et comment. travailler ensemble.

Sandrine regarde et perçoit alors qu’elle voyage à travers le Canada pour créer des cartes d’herbier. Son projet porte sur les thèmes de la marche, de la cueillette de plantes et de la technique du tataki-zomé.

Tataki-zomé consiste à marteler des plantes fraîches sur du coton afin que la sève de la plante imprime le tissu avec la forme exacte de la plante.

Sandrine utilise des noms locaux et latins pour décrire ce qu’elle collecte et crée des journaux intimes en textile et des cartes de ses voyages botaniques sur les tissus imprimés.

Pour en savoir plus sur Sandrine de Borman et ce qu’elle fait, visitez son site Web https://www.arsherbarium.com

Pour en savoir plus sur l’atelier…  https://hmsnonesuch.com/tataki-zome-with-avec-sandrine-de-borman/ 

image_logo_site_wbi

 

La résidence de Sandrine de Borman à Parrsboro a été rendue possible grâce à l’assistance de Wbi, wallonie-bruxelles-international.