RESEARCH and DEVELOPMENT

 a Jane Zdansky exhibition of oils and watercolours

RESEARCH and DEVELOPMENT

opens July 30th

meet the artist, Friday August 2nd, 10am -1pm

Landscape, 2010, 12" X 12", oil on wood

My work is a response to reality rather than an imitative picture of reality. Whether my inspiration is a forest, a person or a vase of flowers, my approach is always to create a portrait of my subject that evokes an emotional tone through aesthetic mean.

All art speaks directly to our emotions. As a visual artist I employ the formal elements of line, colour, mass, composition, visual rhythm, etc. to communicate feeling in painting, sculpture or other visual media. The work is informed by every experience in my life. For me, working in the studio is not removed from life but an extension of it, it is a stew of memories, desires and a place where I can process the hurly-burly of contemporary experience and create a therapeutic haven producing work that fills a need for contemplation.

Jane Zdansky, B.Sc., B.F.A., has been painting since she was a child and has been exhibiting work since 1999. Her work can be viewed at www.janezdansky.com.

Alexis Williams: Entrance (Drain Spotting) & Mushroom Walks & Market

Coming to Main & Station in July 2013, graphite rubbings by Alexis Williams & a photography exhibit by Fiona Annis.

Opening: Wednesday July 10th, 5pm -8pm. Includes artist talks

Exhibition: July 10th – July 19th, 2013

alexis_williams

Entrance (Drain Spotting)

Alexis Williams

 Entrance is a series of graphite rubbings of conduit covers reorganized into geometric patterns.  The project evolved from the juxtaposition of gravestone decorations and man hole covers to point out their similarities as markers between above and below and as thresholds between the known and the unknown. The work has been refined into reproductions of manhole, drain and conduit covers remixed into geometric patterns resembling monumental mandalas.  The collection’s title refers to both a place of entry and the induction of a trance. The work is designed to simultaneously act as a doorway through which things are revealed to consciousness and as a dissociative that will calm the unconscious mind. While staying in Parrsboro Alexis will begin creating new rubbings of the manhole and drain covers of Nova Scotia.

Alexis Williams (A.K.A Ember Erebus) is a Canadian artist working mainly in video and print. She has a love for biology and frequently uses natural materials like butterfly wings, mushroom spores, cast-off snake skins and spider web Silk in her artwork. As an amateur mycologist, wild mushrooms often take center stage both as material and subject of her work. Foraging and collecting are fundamental practices that lead her deep into the Canadian wilderness in search for new ideas, shapes and colors. A common theme in her work is the comparison of sampling and remixing cultural material to the collection and representation of natural material. In both cases of appropriation, the aesthetic and conceptual qualities of pre-existing elements are used to compose a new work that comments on the original.   Alexis is fascinated by the natural world and is devoted to sharing her discoveries and creations to inspire others to indulge in their own interests in nature.

During her stay in Parrsboro, Alexis will also be offering Mushroom Walks and participating in Main & Station’s market.

www.AlexisWilliams.net

 

Fiona Annis: Celestial Measures

Coming to Main & Station in July 2013, a photography exhibit by Fiona Annis & graphite rubbings by Alexis Williams

Opening: Wednesday July 10th, 5pm -8pm. Includes artist talks

Exhibition: July 10th – July 19th, 2013

fiona_annis

Celestial Measures

Fiona Annis

 

What is it that you contain?
The dead, time, light patterns of millennia, the expanding universe opening in your gut.

Rebellious light, imperfect blacks and other process-based aberrations are the foundation of this cycle of work that explores the physical and chemical properties of light and time. By focusing on the attributes particular to the photographic medium, Celestial Measures gives a material life to the intangible. In this way, this cycle of work explores an alchemical territory by means of documenting various degrees of the transformation of matter.

 

Fiona Annis is a Montréal-based visual artist and researcher whose interdisciplinary practice emphasizes the use of scores and time-based media. In 2008 she completed a master’s degree at the Glasgow School of Art and she is currently pursuing a practice-led PhD at Concordia University. Fiona has exhibited in national and international contexts including: The AC Institute (New York City), The Canadian Centre for Architecture (Montréal) Goldsmith’s University (London), LowSalt Gallery (Glasgow), and The Art Gallery of Alberta (Edmonton). Her work has been published in BlackFlash Magazine, Front: Contemporary Art & Ideas, Les Fleurs du Mal, and Imagining Science, winner of the New York Book Show Award. Her most recent cycle of work, The After-Image (Swan Songs), is a romantic conceptual rendering of the slippage between fact and fiction within a documentary framework. Fiona is currently exploring the alchemic potential of antiquated photographic processes, a trajectory that was put into motion in the context of an artist residency at The Center for Alternative Photography in New York City.

www.fionaannis.co.uk